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Excellent research material on Ed Walters's UFO hoax...sensation to all UFO investigators.
However, when Ed Walters began to get MORE and MORE and MORE
photos of UFOs around Gulf Breeze, Florida over different
periods and he seemed to be the ONLY ONE that was able to get
photographs of something that showed something in the sky that
was made by some higher intelligent.
Why was HE(Ed Walters) the ONLY ONE that was able to get very
clear photos of what appeared to be an alien spaceship and
nobody else in Gulf Breeze??
The answer is simple he faked the whole thing.
Some UFOLOGISTS that have backed Ed Walters on his claims forgot
something that applies to all especially in the field of
UFO Research, "If it seems too good to be true, it probably
is not".
Mr. Zan Overall did an EXCELLENT job finding out that Ed Walters
of making ghost photographs at parties he did before his first
UFO GULF BREEZE photograph came out.
It was also surprising he used the same type of camera to take
ghost photos and his famous GULF BREEZE photos.
The J. Allen Hynek Center For UFO Studies(CUFOS) was the only
PRO-UFO organization that really questioned the claims of
Ed Walters and the whole UFO Gulf Breeze thing.
And this detrailed & researched material published by them is a
must for all that study & research the UFO phenomenon on
what to look for in investigating UFOs.


I enjoyed writing this book tremendously.

Multiple proof
White Chevy Nova
A man who has been abducted many times, tells of them fully.

5 stars for the story. Minus 4 for the hoax pictures.However you do not need to 'double expose' anything to achieve the same results and this is EXACTLY why their analysis is not that credible. I am sorry but the fact that no-one has ever mentioned the following, including the photo experts, really does put me in the position of total skepticism... Even better is the fact that you do not need to 'double-expose' anything or alter the original negative as the camera is capturing exactly what you are seeing. I would however see this as a problem for some complex shots like the UFO hiding behind trees or anything else in the foreground but the photographs 1 and 2 in which Ed said he had captured such a thing where not printed in my edition of the book and I can not find them anywhere else either. I would love to see these but alas have not found them. Either someone ripped them out of my copy of the book or Ed did not publish them. Anyway I want to be the first to point out that this is how a lot of the photographs could have been reproduced without direct 'image altering' or 'double-exposure'. In fact the process dates back to the 18th century where instead of using a camera the audience watched the ghost float across the room as a reflection on a sheet of glass that covered a portion of the stage.
PLEASE give me credit for this if you use it elsewhere because I worked hard to find this out. I do not doubt about the existence of UFO's and I believe that many of the shots/videos of other UFO's are real.... but alas Ed's pictures can be exactly replicated ... without interfering with the original negative or print. I also fail to understand why many of the 'experts' did not notice this. It is pretty obvious from photograph 11 that the image is semi-transparent and can be reproduced this way along with many others. Remember where you read this first and enjoy creating your own set of Gulf Breeze photographs ... but beware.. people like me will be able to spot your hoax a mile away. Have a nice day and do get the book because regardless of the above it is an enjoyable read!
Simple Truth Fully Authenticated
AWESOME



The Boys in the Band is the best-known of Mr. Crowley's plays: that's because, well, it IS the best, and also because there was an excellent movie made of it, which is as often seen as the play is read or seen on stage. The play is a brutal birthday party one evening in New York in 1969, and the guest of honor is guilt itself: eight gay men in their 30s gather and say horrible things to each other, which reflect more on themselves than on each other. Each in his own way is caught in the war zone between his homosexuality and the pressure from society to be something else (and goodness knows, the play opened just a few months before Stonewall). The most incredible thing about the play (in my opinion) is Mr. Crowley's evenness: you get the feeling that he is just showing life as he knew it, and not trying to judge or blame anyone or anything--rather a big feat for all the hate that had poisoned that life-as-he-knew-it.
One criticism has been consistently directed at The Boys in the Band over the years, that it depicts only guilt-ridden self-hating gay men who wish for all the world that they weren't gay. All I can say to this is, well, yes; but I am only 19 and I know exactly why these particular men are so guilt-ridden and self-hating, not because I grew up before Stonewall (I was still in diapers at the beginning of AIDS), but because it's STILL tough to be gay in America. This kind of guilt and this kind of self-hate haven't disappeared--I experienced them first-hand in the 1990s. If The Boys in the Band seems a bit narrow for focusing only on that, then it's remarkably deep in spite of its narrowness.
The other two plays in this collection are also quite good. They too are built on Mr. Crowley's cl! arity and evenness of vision, but it seems (unfortunately) that they'll always suffer in comparison to the first play. They're good reads. I recommend them highly.
I can't justify my claim to you that Mr. Crowley is one of the great American playwrights--how can just one person justify that? The claim, I hope, will justify itself as future theater-goers, movie-goers, and readers (you!!) match Mr. Crowley's clarity and get to know his plays. For all the depressing subject matter, the plays are gripping, quite funny, searingly intelligent, and very rewarding. He sees a lot.